Multilingual entertainer R Madhavan, who has enchanted his fans with exhibitions both in Bollywood and Tollywood, turned 51 today. Other than his acting, Madhavan’s films likewise accompany their own arrangement of enchanting melodies. Allow us to investigate a portion of the latest songs that have been picturized on the entertainer. Below in this article, you can get the R. Madhavan Tamil Songs. Below this article gives the complete information about R. Madhavan Tamil Songs.

Yaanji

Beguiling his fans with another heartfelt melody, this time in Tamil, Madhavan is found in this 2017 action film Vikram Vedha. The music is composed by Sam C.S and sung by Anirudh Ravichander and Shakthisree Gopalan. directed by Pushkar and Gayatri, Vikram Vedha stars Madhavan and Vijay Sethupathi lead roles, while Shraddha Srinath, Varalaxmi Sarathkumar, and Kathir assume supporting parts. The song is released on Think Music India and it got 64 million views, you can watch this song by using your smartphone.

Oh Azhage

Catching the unblemished excellence of Kerala’s tea gardens, Madhavan takes his watchers on a charming excursion in this melody from his most recent film Maara. composed by Ghibran, the tune is sung by Benny Dayal and wrote by Thamarai. Maara was made accessible for crowds recently on streaming stages.

Ey Sandakaara

Watch Madhavan play a raucous boxing trainer and Ritika Singh as his lovestruck understudy in this melody from the film Irudhi Suttru. composed by Santhosh Narayanan, the smooth heartfelt tune is sung by Dhee. The 2016 film was likewise delivered in Hindu as Saala Khadoos. Madhavan is seen assuming the part of a previous fighter who stops boxing after he has aftermath with the specialists over the hidden governmental issues. In any case, he is motivated to get back to the game as a mentor for a fisherwoman to satisfy his fantasy through her.

Venmathi Venmathi

We know, we know, the primary melody a disaster number? However, this is extraordinary compared to other heartfelt quantities of Maddy, since grievousness is likewise a piece of adoration all things considered. The ideal tune of Harris Jayaraj and the frightful tune gets you in the ideal mind-set for lamenting your lost love. Likewise, Maddy himself is so enthusiastic about this number that your eyes are stuck on him all through the tune.

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Vaseegara

Indeed this tune is additionally from Minnale, however the actual collection was wonderful to such an extent that every tune had the right to be here. Bombay Jayashree just kills it with her exotic voice. This number is as yet probably the best tune to pay attention to assuming you need to foster some genuine science with your life partner. Obviously, this enthusiasm is apparent in Madhavan and Reema Sen too who basically set the screen ablaze.

Pachai Nirame

This melody is an ideal AR Rahman exemplary. The mixture of woodwinds to start with sets the ideal state of mind for the blustery sentiment. Hariharan and Clinton Cerejo’s voices are essentially otherworldly as they maneuver you profound into the melody. Madhavan himself looks truly beguiling and cheerful and his science with Shalini is basically mind-blowing.

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Unnai Naan

An entirely cheery and enthusiastic heartfelt melody, this title track from Jay is quite possibly the most misjudged Madhavan tunes. It has straightforward beats, yet it is the Hariharan’s voice that inhales enchantment into this tune. Maddy is obviously his typical vigorous self which makes this melody vastly improved. Likewise, two all the more huge in addition to points of the melody are its verses and unfamiliar areas. Unquestionably the heartfelt melody that individuals ought to pay attention to additional.

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Poi Solla Kudathu

An extremely melodic and lovely tune from a fairly business and in your face film Run, it shows the best of Vidyasagar as a music chief. Hariharan simply figures out how to convey his best for Maddy, similarly as here. Madhavan himself is truly attractive as he is melancholic and insightful in this tune. An uncommon love tune that everybody can appreciate.

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